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CHORAL & VOCAL
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Pange Lingua
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7'
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Choir SATB
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Mass for Four Voices
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26'
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Vocal consort SATB
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Meditation on a Ruin
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17'
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Choir SATB [at least 16 singers] String ensemble [at least 4 vln, 2 vla, 2 cello, 1 cb]
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Maxims, Hymn, Riddle
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20'
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TTB
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Te Deum
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12'
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Choir SATB, Piano
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Rossetti Requiem
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55'
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Soli SATB, Choir SATB, Orchestra
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LITURGICAL with organ
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Praise the Lord
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8'
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Choir SSA, SATB Organ [optional 2 tpt, 2 tbn, timp]
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A Carol of Mary
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4'
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Choir SATB, Organ
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Duo Seraphim
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7'
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SA or TB, Organ
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Magnificat & Nunc Dimittis
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12'
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Choir SATB, Organ
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Requiem
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10'
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Choir SATB, Organ
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SONGS
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Songs for a Florentine Apollo
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16'
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Baritone, harp
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Un canto mi disse
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2'
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S, MS & piano
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Ten Riddles
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6'
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Voice & piano
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The Swan
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4'
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Voice & piano
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CHILDREN's CHOIR
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Phoning Up!
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4'
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Choir SS, Piano
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Praise the Lord
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8'
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Choir SSA, SATB Organ [brass: 2 tpt, 2 tbn]
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Mass for Four Voices
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1983
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SATB (soli)
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First performed at the Huddersfield Festival of Contemporary Music 1984 and subsequently on BBC Radio Three
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View
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You are welcome to download this music for perusal purposes. All copyright in the score and associated digital media rests with the composer.
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Listen

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sung by Rosemary Hardy (soprano) Linda Hurst (contralto) Martyn Hill (tenor) Stephen Varcoe (bass)
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This setting of the Mass Ordinary was intended to give a quartet of voices - with the phenomenal abilities of these performers - a concert piece of substance which might compare with, say, a string quartet, and in this way refer back to the medium of a consort of voices largely neglected since Renaissance times. The piece is also ambitious in having been planned in one movement: the text of the Mass, while important, is subsidiary to the way the music unfolds.
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